AFTRA-AEA Letter from Presidents Reardon and Zimmerman 

Dear AFTRA Member,

Professional performers work in all media: television, theater, commercials, and emerging technologies such as interactive games and the Internet. Only you can protect your interests, and preserve the fair and decent working conditions that you, as a professional, deserve. You stand with your fellow union members to support efforts ensuring that union rates and conditions apply to all media. This reality rests on a bedrock principle: members of one union should not undermine another union’s efforts to organize professional work opportunities. In other words, members of one union should not accept work in another union’s jurisdiction without verifying that the second union does not object. They should confirm that the union is neither in the process of organizing the project nor do they have a “do not work” order in place.

For example, both AFTRA and Equity organize various areas by prohibiting their members from accepting employment in these areas unless the employer is signed to the appropriate union’s contract; therefore, members of one union may not undermine these organizing efforts by accepting employment in these fields without that appropriate contract in place. A specific instance of this currently applies in what are called “Urban Circuit” tours—AEA is attempting to organize this work; therefore, AFTRA members are prohibited from accepting such employment.

Additional examples include the areas of commercials, recorded books, interactive games, and non-broadcast/industrial programming. AFTRA is attempting to organize this work and Equity members who are not members of AFTRA should not accept work in non-union radio or television commercials, industrials, or recorded books.

The unions require that their members respect sister unions’ efforts to organize and negotiate fair and equitable conditions for all performers by ensuring that there is either a union contract in place or that there is no “do not work” order in effect before accepting employment.

Each of the performer unions organizes in different ways—and this can be confusing for you. But the principle is clear: professional performers should stand together with other professional performers and support each other in making sure that—no matter what the medium—performers receive the rates, conditions and respect that their union contracts provide.

Any AEA or AFTRA member who is in doubt about whether a particular job is covered by a union contract should check with the appropriate union or unions whose jurisdiction covers the type of work being offered before accepting employment. If you have any questions, please contact either AEA on the web at www.actorsequity.org or call 212.869.8530 x419 or AFTRA on the web at www.aftra.com or call your AFTRA Local office at the number below.


Atlanta

404.239.0131

New York

212.532.0800

Boston

617.262.8001

Philadephia

215.732.0507

Chicago

312.573.8081

Phoenix

623.687.9977

Cleveland

216.781.2255

Pittsburgh

412.281.6767

Dallas/Ft. Worth

214.363.8300

Portland

503.279.9600

Denver

720.932.8228

San Diego

866.634.8100

Detroit

248.228.3171

San Francisco

415.391.7510

Houston

800.922.3872

Seattle

206.282.2506

Kansas City

816.753.4557

St. Louis

314.231.8410

Los Angeles

323.634.8100

Tri-State *

513.579.8668

Miami

305.571.9891

Twin Cities

651.789.8990

Nashville

615.327.2944

Washington/Baltimore

301.657.2560

New Orleans

800.330.2387

All Other Locals

866.855.5191

* Includes Cincinnati, Columbus, & Dayton, Ohio; Indianapolis, Ind., and Louisville, Ky.

On behalf of all professional performers, thank you for your continued support of and solidarity with your fellow union members.

In solidarity,

Roberta Reardon
President
American Federation of Television and Radio Artists
Mark Zimmerman
President
Actors’ Equity Association



 


GS